OtherInter.net, a small consulting group co-run by my friend Toby Shorin, has started up a series of workshops with folks from the community. Drew Austin of Kneeling Bus is teaching a course called the Digital Transformation of Physical Space, which I'll be enrolled in over the the next four weeks. I'll be keeping track of… Continue reading Junkspace
Tossouts from The Color Purple
As I wrap up editing the follow-up volume to 2017's La Vento, I wanted to preserve some of the quotes and lines and ideas that won't make it into final cut. Simon Reynolds, Shock & Awe The impossible perfection of a Moment or an Image—it could be a lover, or the tableau of the in-crowd… Continue reading Tossouts from The Color Purple
Panic in Central Park: Predictive Hermeneutics in Girls S5E6
Dez & Marnie are sitting on their marital bed. She has headphones in, sitting cross-legged staring intently into her Macbook; he’s got puka shells around his neck and strums an acoustic guitar, bobbing his head at her, raising his brow, trying to get a look. It’s harmless but needy, like a puppy who deep down… Continue reading Panic in Central Park: Predictive Hermeneutics in Girls S5E6
Each Venture Is A New Beginning
Peli Grietzer's Amerikkkkka is the kind of text that punches preternaturally out of its weight class, manages miracles. It back-charts five years of intellectual growth, cultural mappings, one-off gags and twelve-page academic endeavors that together begin to depict a certain type of lifeworld. I had the chance to gChat with Peli for a few hours… Continue reading Each Venture Is A New Beginning
Predictive Hermeneutics
A preprint of "A Bayesian hermeneutic" — the cogsci paper Thomas Rutten & I worked on last summer in Mexico City — is available at Research Gate here. It aims to introduce a new subfield of hermeneutics we term "predictive hermeneutics." In layman's terms, we argue that contemporary art (fr. modernism to conceptualism & beyond)… Continue reading Predictive Hermeneutics
Sexual… Narcissism?
One end of sexual desire’s many spectrums is self-reflexivity, a desire not for the other but for the other’s desire. That is to say, desire indirectly for the self. Culturally this manifestation of sexuality is associated more with women than men. I’ll refrain from commenting on how gendered or inherent this kind of desire is, and… Continue reading Sexual… Narcissism?
The 1975’s Brief Inquiry
1. The 1975 “One and the same civilization produces simultaneously two such different things as a poem by T.S. Eliot and a Tin Pan Alley song, or a painting by Braque and a Saturday Evening Post cover… [W]hat perspective of culture is large enough to enable us to situate them in an enlightening relation to… Continue reading The 1975’s Brief Inquiry
Flowers in a Pop(ul)ist Paradigm
Spilled Reality, “One more on The 1975?”: The 1975 bloomed late in pop critics’ multi-decade questioning of masculine-rockist values like authenticity and edginess. In the new pop(ul)ist paradigm, entertainment value and its near heuristic, melodic propulsion, are strong arguments for aesthetic quality in themselves. Authenticity is redefined, less a matter of sheer aesthetic originality (anxiety… Continue reading Flowers in a Pop(ul)ist Paradigm
Teenage v. Depressive Ontology
Taken from Ghosts of My Life by Mark Fisher, esp. “No Longer the Pleasures: Joy Division,” and “K-Punk, or the Glampunk Art Pop Discontinuum.” On Teenage Ontology: Romanticism is the dressing-up of Teenage Ontology as an aesthetic cosmology. Teenage Ontology is governed by the conviction that what really matters is interiority: how you feel inside, and what… Continue reading Teenage v. Depressive Ontology
Against Expression
In his introduction to The Ubuweb Anthology of Conceptual Writing, Craig Dworkin positions conceptual writing in opposition to romantic expression, to writing that conveys “the emotional truth of the self.” But he replaces it with a vision of writing that's true to its linguistic self, writing that can't be conceived of as taking any other form. What… Continue reading Against Expression
