Effect Ideas and Close Encounters

Gabriel Duquette of Liposuction has raised a number of objections to my insertion of effect-ideas into his maps/chords dualism. Either effect-ideas are not real, he argues, or they are not significant. They are trivial in that they are wildly personal, unpredictable, and unengineerable. Read rather than written into texts, they are the creations of readers and audiences instead of artists and authors. It is akin to ruminating on a rock for hours at end, and then pretending the rock had instigated the conversation. Continue reading “Effect Ideas and Close Encounters”

A Possibility for Artistic “Meaning”

Interested in literary or artistic "meaning" as the sum of all infinite interrelationships between a work of art/literature and the equally infinite set of all data points which exist both inside the work and out in the world. These data points include, but are not limited to, the composition of society in its entirety, both at the time of the work's creation and every time before or since; the position of the artist/author within society during every moment of his lifetime and also before/since; all facts and biographies about audiences/readers both real and hypothetical; every included word's complete etymological history and complete history of usage (also, important in their negation, the histories of excluded words as well); and all physical facts about the universe. Continue reading “A Possibility for Artistic “Meaning””

Information Cycles & Erisology

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Roberto Bolano I detecti e slevaggi

John Nerst of Everything Studies, whose essays include "Partial Derivatives and Partial Narratives,""What is Erisology?" and a statistical analysis of Black Mirror, has contributed to this essay in Section II. His contribution here is especially authoritative, as the governing theme of Everything Studies is the self-coined "erisology" — the study of disagreement. Continue reading “Information Cycles & Erisology”

Generic Fit

“This makes the pop song an indispensable mirror: The way in which a listener imposes himself upon the text, or transforms the text from generic to specific, shows that listener something about himself. He learns his yearnings, his sadnesses, his loves; he recognizes an emotional life which is otherwise elusive, and solidifies in time an emotional state which is otherwise ephemeral.”

Continue reading “Generic Fit”