Category: Essays
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Detectives & Dramaturgy
1. There are two potential explanations for why Tana French’s “literary thriller” In The Woods portrays human interaction and detective work how it does. The first is that she read Erving Goffman’s microsociology work, internalizing its principles. Alternatively, she trained and worked for over a decade as an actor. Goffman is famous for the dramaturgical […]
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Epistemic Strategies pt. 2
There is probably no contrast more striking, in the comparison of the mixed-motive and the pure-conflict (zero-sum) game, than the significance of having one’s own strategy found out and appreciated by the opponent. Hardly anything captures the spirit of the zero-sum game quite so much as the importance of “not being found out” and of […]
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Response to Simpolism on ACiM
Simpolism has kindly written two posts in response to my own recent barrage—the first, “Is Communication ‘Manipulation’?” investigates his gut reaction to the idea that in communicating, he might manipulate others; the second, “On Behavioral Hermeneutics,” tries to figure out what kind of claim ACiM is. The posts make good points, and introduce a number […]
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On the vibe shift, pt 1: Worldbuilding
See Part 2: Nameless, Faceless. Chatting with a friend last week, I mentioned I was writing a party report on the Lisbon ETH conferences for Spike. She said she was surprised. That there was a narcissism to the genre she’d expect to turn me off. A reasonable criticism—the format’s short history is ≈ synonymous with […]
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Games of Strategy are Games of Reading and Writing
1. Schelling defines games of strategy as any situation in which each player’s best choice of action depends on the actions (he expects) the other player will take (and vice-versa, reflexively). This is in contrast to games of skill and games of chance. “Strategy,” then, is the study of conflicting parties’ behaviors as they are premised on […]
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Notes on the Inexact Sciences
“Philosophers constantly see the method of science before their eyes, and are irresistibly tempted to ask and answer questions in the way science does. This tendency is the real source of metaphysics, and leads the philosopher into complete darkness.”
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Transfer Phenomena & Two-Person Languages
“Spotted: a dirty brown bag crushed under a tennis shoe. Looks like someone won’t be eating dinner tonight. XOXO… Gossip Girl.” The thing about voices is they are contagious. I can’t do accents, but spend a week watching TV re-runs and I can GPT-3 an essay in the narrator’s delivery.
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Oh Barry
And I said, PDL’s protagonist is basically a Barry Lyndon who always stayed a mama’s child, who never volunteered for military service which is to say never ran into highway robbers. It’s resemblance down to the disrupted dinner parties and shattered glass, disappointed relatives in varying states of shock, their shared naivete with women. You really expect me to believe it’s accidental, his name, Barry Egan? Egan’s an Irish name too, with the fiery connotations of its pagan namesake Aodha.
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Barry Lyndon, Man of Games pt. 1
Our lives, being a kind of game—an attempt at optimization, within constraints and laws—are subject to four interwoven influences which determine the game’s outcome. Who we are, the choices we make, the abilities we carry, and the luck which accompanies them. In other words, our status, our selections, our skills, and our stars.
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Selection games
rock’s apparent shape, size, and kind. The rock has no perception of John’s selection, nor any interest in whether or not it is selected. It is unable to change itself or its appearance in any way to increase or decrease its chances of selection, even if it were aware of, and interested in, the selection process.
Suspended Reason 