Tag: Jürgen Schmidhuber
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Wait, what? Sense-breaking in contemporary art
x-post from Carcinisation In a recent paper, my collaborator Tom Rutten and I advanced a tentative theory of how contemporary visual artworks might interact with a predictive error minimization (or “predictive processing“) system in human viewers. The predictive processing model of cognition is a relatively recent figuration of the age-old problem of inference (how humans…
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Undisciplined Squads of Emotion
Peli Grietzer’s Amerikkkkka is the kind of text that punches preternaturally out of its weight class, manages miracles. It back-charts five years of intellectual growth, cultural mappings, one-off gags and twelve-page academic endeavors that together begin to depict a certain type of lifeworld. I had the chance to gChat with Peli for a few hours…
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Art vs. Design, a follow-up
Pictured above, the Krebs Cycle of Creativity, just to toss another conceptual carving into the mix. * My post from earlier this week, “Art as the Antithesis of Design,” received a fair amount of pushback.
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Ulysses, Wilde, and a Theory of Literary Compression
“He looked at the cattle, blurred in silver heat. Silvered powdered olive trees. Quiet long days: pruning ripening. Olives are packed in jars, eh? I have a few left from Andrews… A cloud began to cover the sun wholly slowly wholly. Grey. Far. No, not like that. A barren land, bare waste. Vulcanic lake, the dead…
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A Few Types of Literary Compression
“And I said to Mabel, I said, ‘computational aesthetics, super-short. Jürgen Schmidhuber’s Theory Jürgen Schmidhuber, an AI theorist and theoretical computer scientist, has proposed a computational account of aesthetic judgments. In his view, a stimulus is judged to be beautiful or attractive by a subject T to the extent that the stimulus is compressible for…
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Generic Fit
This makes the pop song an indispensable mirror: The way in which a listener imposes himself upon the text, or transforms the text from generic to specific, shows that listener something about himself. He learns his yearnings, his sadnesses, his loves; he recognizes an emotional life which is otherwise elusive, and solidifies in time an…
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Art As Engineering
A Conversation with Gabriel Duquette and The Sublemon Gabriel Duquette is a co-founder of Liposuction (tagline “aesthetics without all the fat”). He started the site with The Sublemon, who studied art at Yale before contributing to Carcinistion and Ribbonfarm. Both are interested primarily in “retro-engineering” and applying “epistemic hygiene” to matters of taste and aesthetics.…
Suspended Reason 