“If It Sounds Bad It Is Bad”

One of the critical ideas I’ve found most interesting of late is a seeming contradiction: Just because it sounds like bad music doesn’t mean it is bad music. “Just because it reads like a bad novel doesn’t mean it’s a bad novel” is also sort of true, but a bit more complicated.

The tenability of the first statement, of course, is the result of specific parameters for what it means to sound bad versus be bad. Specifically, the phrasing of “sounding like bad music” is key: it opens the possibility, when X track sounds like bad music Y, that the sonic trappings and features which X shares with Y music are not in themselves bad; that the “bad music” in question is ineffective or unpleasant for reasons separate from its overlap with track X.

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Art As Engineering

A Conversation with Gabriel Duquette and Haley Thurston

Gabriel Duquette is a co-founder of Liposuction (tagline “aesthetics without all the fat”). He started the site with Haley Thurston, who studied art at Yale before contributing to Carcinistion and Ribbonfarm (her more casual art writing can be found at The Sublemon). Both are interested primarily in “retro-engineering” and applying “epistemic hygiene” to matters of taste and aesthetics. They write loosely within the community — and from the intellectual framework — of postrationalism (alongside critics like Sarah Perry and Venkatesh Rao).

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