And I said, I said, ‘a simple point that people forget to explain to outsiders about the consumption of random/plain/goofy/noisy artifacts is that it’s not the random/plain/goofy/noisy artifact that is doing the work but the 3000 years long acummulation of techniques for attentively scrutizing objects (which developed as a corollary of 3000 years of creating…… Continue reading Zoom Call #1
Last time: It is selection games and debt, all the way down. Nora has been “flinging” herself as an option to “every man” in the area, but none have selected her. Barry owes his uncle a great deal, and his uncle owes the bank a great deal in turn, which puts both into obligation. This…… Continue reading Barry Lyndon, pt 2: The Duel
X: Representation and its consequences have been a disaster for the human race.
Y: True, but but anything before that probably couldn’t be called the human race.
nderstanding of this objection is that it is founded in phenomenology—a feeling from those objecting that their conscious experience is only occasionally marked by a scheming, instrumental attitude toward their fellow interactants.
I launched a [Discord server with a] small community of friends, which has this year, 2021, evolved into an online forum. Our mascot is the pfeilstorch. We’re interested in the inexact sciences, and moreover, in the rigorizing pipeline that got us from natural philosophy to biology, or alchemy to chemistry.
Bla bla bla, 2020 was a big year for me. I started off doing philosophy of language and ended up at “strategic interaction.” For the uninitiated, think game theory meets microsociology, or check out a slide deck. Add a side plate of institutional theory, debt, and philosophy of science. Though our press, Not Nothing, was…… Continue reading Year In Review
It was spring, around 11am and cold; we had teas with condensed milk in a small Malaysian place in the Lower East Side and I held up an AbEx painter book that was on sale and you made a joke about the page layout. For about a week the prior May I’d wondered whether or…… Continue reading Kaitlin Phillips as PopLit
One way I’ve found helpful to think about “culture,” at a more manageable scale, is through the metaphor of an unending variety show, with many theaters and stages (think music festivals—GovBall, Coachella). This neverending show presents a class of problems to any audience member attempting to grok an act, or to any act attempting to…… Continue reading Re-engineering “taste”
In F. L. Allen’s Only Yesterday, a history of the 1920s published in the early 30s, Allen writes about the revolution in manners and morals that began to pick up in the early years of the decade: Like all revolutions, this one was stimulated by foreign propoganda. It came, however, not from Moscow, but from…… Continue reading The telephone effect, and the reciprocity of perspectives
overhaulism (n): related to Chesterton’s fence, Hayek’s “fatal conceit,” Christopher Alexander and James Scott’s “high modernism,” Taleb’s “modernistic intellectualism,” and John Gall’s “systemism.” A belief in the power of individuals’ synchronous reasoning & intelligence to intervene in a complex system; correspondingly, an attitude of bearishness toward evolved solutions. Ethical overhaulism is an arguable facet of…… Continue reading Overhaulism
This is an entry in an ongoing series of posts, which will work through the ideas advocated by Eliezer Yudkowsky and other amateur philosophers from the LessWrong community, and attempt to understand the extent to which their ideas are novel as opposed to reinventions of the wheel. Link to introductory post for context and motivation.…… Continue reading Sidebar: Mutual Hostilities
I have offered bounties to anyone who can identify a precedent, in mainstream philosophy, for an idea advanced by Eliezer Yudkowsky as his own. These bounties are in the service of a larger accounting: Background & Motivation LessWrong rationalists and mainstream philosophers are two tribes made up of generally intelligent & knowledgeable people, focused on…… Continue reading Meta-Sequences: Introduction & Criteria