Tag: ambiguity
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Detectives & Dramaturgy
1. There are two potential explanations for why Tana French’s “literary thriller” In The Woods portrays human interaction and detective work how it does. The first is that she read Erving Goffman’s microsociology work, internalizing its principles. Alternatively, she trained and worked for over a decade as an actor. Goffman is famous for the dramaturgical…
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Zoom Call #1
And I said, I said, ‘a simple point that people forget to explain to outsiders about the consumption of random/plain/goofy/noisy artifacts is that it’s not the random/plain/goofy/noisy artifact that is doing the work but the 3000 years long acummulation of techniques for attentively scrutizing objects (which developed as a corollary of 3000 years of creating…
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Institutional Myth in Contemporary Art
I’ve spent a lot of time in & around the New York visual art scene the past few years, and it’s been a very strange & uncanny & informative experience. A lot of the preference falsification and undead prestige cultures of, say, academia, or science, or politics are in play, but here the emperor can…
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Wait, what? Sense-breaking in contemporary art
x-post from Carcinisation In a recent paper, my collaborator Tom Rutten and I advanced a tentative theory of how contemporary visual artworks might interact with a predictive error minimization (or “predictive processing“) system in human viewers. The predictive processing model of cognition is a relatively recent figuration of the age-old problem of inference (how humans…
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Girls, Broad City, and Over-the-Topness
“By their power of intimate close-up, movies reveal the subtleties of facial expression and the ambiguities of mood and motivation.” (Paglia) I recently re-watched Girls, and then off a recommendation, chased it with half a season of Broad City. The latter struck me as artless and also socially valueless in comparison with Dunham’s HBO…
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Valencia/Rectify/Film/Television/Literature
I. James Nulick’s Valencia opens with an HIV diagnosis. Nulick, protagonist, is dying. He has traveled to the southern coast of Spain to stay at the hotel which gives the novel its name. He has traveled there to hasten his death, to preempt the prolonged and painful corporal vulnerability which immunodeficiency entails.
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Predicting Joyce’s “Calypso”
Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls. So begins the fourth chapter of Ulysses. “Calypso” is one of the more straightforward episodes of the novel, but here we’ll look at the way the opening line maintains its own ambiguity throughout the chapter’s opening pages. The suspended ambiguity is initiated in the…