Peli Grietzer’s Amerikkkkka is the kind of text that punches preternaturally out of its weight class, manages miracles. It back-charts five years of intellectual growth, cultural mappings, one-off gags and twelve-page academic endeavors that together begin to depict a certain type of lifeworld.
I had the chance to gChat with Peli for a few hours as he rode the train from Brussels to Berlin.
Basic bio points, correct me/elaborate freely: Amerikkkkka—originally published Amerikkkka—was written over five years between 2009 and 2014, just after you’d moved from Israel to the United States and coinciding with the start of your comparative lit program at Harvard.
Continue reading “Each Venture Is A New Beginning”
“And I said to Mabel, I said, ‘computational aesthetics, super-short. Jürgen Schmidhuber’s Theory Jürgen Schmidhuber, an AI theorist and theoretical computer scientist, has proposed a computational account of aesthetic judgments. In his view, a stimulus is judged to be beautiful or attractive by a subject T to the extent that the stimulus is compressible for T. Schmidhuber’s notion of compressibility is taken from algorithmic information theory, but concerns actual rather than ideal compression: it refers to the actual # of bits in T’s mental representation of the stimulus, bounded and fallible as T may be. Beholden to the limitations of T’s computational resources, two kinds of stimuli should be the most compressible: stimuli with evident internal structure (e.g. fractals or a chessboard), and stimuli with noticeable similarities to stimuli already stored in T’s history (e.g. English words or a the sight of a friend’s face). Experimental psychology supports both a preference for stimuli with internal patterns and a preference for stimuli with a similarity to past stimuli.”
— Peli Grietzer, Amerikkkkka
Continue reading “A Few Types of Literary Compression”