Interview with A D Jameson, pt. 2

I first read A.D. Jameson’s criticism on litblogs like HTMLGiant and Big Other, where he wrote about the New Sincerity, Russian formalism, and cinema. I was interested back then in irony and sincerity, especially because I was in an environment where a lot of people I knew were doing molly on weekends, were peripheral to a hippie-rave subculture that was heart-on-its-sleeve.

On Easter Sunday, in true HTMLGiant fashion, we got to revisit some of these topics over GChat, touching on experimental film, Nicolas Winding Refn, Terrence Malick, and George Lucas. The first part of this conversation, which focused on indie lit and the avant-garde, can be found here. Continue reading “Interview with A D Jameson, pt. 2”

Art as the Antithesis of Design

From the footnotes of an upcoming piece examining predictive processing and Alva Nöe’s 2015 work on aesthetics, Strange Tools:

Nöe makes [his] argument through exclusion: art practices which are not interrogative, which do not challenge existing structures and practices are not, technically speaking, art. Pop songs, to Nöe, aren’t musical art, they’re a first-level human practice (or “organized activity”) called “song-making.” Choreography can be art, but “dancing” as practiced by amateurs and many professionals is an organized activity. Continue reading “Art as the Antithesis of Design”