Pictured above, the Krebs Cycle of Creativity, just to toss another conceptual carving into the mix.
From the footnotes of an upcoming piece examining predictive processing and Alva Nöe’s 2015 work on aesthetics, Strange Tools:
Nöe makes [his] argument through exclusion: art practices which are not interrogative, which do not challenge existing structures and practices are not, technically speaking, art. Pop songs, to Nöe, aren’t musical art, they’re a first-level human practice (or “organized activity”) called “song-making.” Choreography can be art, but “dancing” as practiced by amateurs and many professionals is an organized activity. Continue reading “Art as the Antithesis of Design”
"Tools are useful only against the background of our needs and capacities. Let’s return to the doorknob. A simple bit of technology, yes, but one that presupposes a vast and remarkable social background. Doorknobs exist in the context of a whole form of life, a whole biology—the existence of doors, and buildings, and passages, the human body, the hand, and so on. A designer of doorknobs makes a simple artifact, but does so with an eye to its mesh with this larger cognitive and anthropological framework." (99) Continue reading “Excerpts from Alva Nöe’s Strange Tools”