“By their power of intimate close-up, movies reveal the subtleties of facial expression and the ambiguities of mood and motivation.” (Paglia) I recently re-watched Girls, and then off a recommendation, chased it with half a season of Broad City. The latter struck me as artless and also socially valueless in comparison with Dunham’s HBO […]
I. James Nulick’s Valencia opens with an HIV diagnosis. Nulick, protagonist, is dying. He has traveled to the southern coast of Spain to stay at the hotel which gives the novel its name. He has traveled there to hasten his death, to preempt the prolonged and painful corporal vulnerability which immunodeficiency entails.