Flowers in a Pop(ul)ist Paradigm

Spilled Reality, “One more on The 1975?”: The 1975 bloomed late in pop critics’ multi-decade questioning of masculine-rockist values like authenticity and edginess. In the new pop(ul)ist paradigm, entertainment value and its near heuristic, melodic propulsion, are strong arguments for aesthetic quality in themselves. Authenticity is redefined, less a matter of sheer aesthetic originality (anxiety… Continue reading Flowers in a Pop(ul)ist Paradigm

Genre, Values Hierarchies, & Intentionality in Pop

I. Does intentionality matter? Critical consequentialism put to the ultimate test: David Cooper Moore's "The Scary, Misunderstood Power of a 'Teen Mom' Star's Album"  discusses Farrah Abraham's infamous pop record My Teenage Dream Ended: It's tempting to consider My Teenage Dream Ended alongside other reality TV star vanity albums, like Paris Hilton's excellent (and unfairly… Continue reading Genre, Values Hierarchies, & Intentionality in Pop