The 1975’s Brief Inquiry

1. The 1975

“One and the same civilization produces simultaneously two such different things as a poem by T.S. Eliot and a Tin Pan Alley song, or a painting by Braque and a Saturday Evening Post cover… [W]hat  perspective of culture is large enough to enable us to situate them in an enlightening relation to each other?”

—Clement Greenberg, “Avant Garde & Kitsch” Continue reading “The 1975’s Brief Inquiry”

Flowers in a Pop(ul)ist Paradigm

Spilled Reality, “One more on The 1975?”:

The 1975 bloomed late in pop critics’ multi-decade questioning of masculine-rockist values like authenticity and edginess. In the new pop(ul)ist paradigm, entertainment value and its near heuristic, melodic propulsion, are strong arguments for aesthetic quality in themselves. Authenticity is redefined, less a matter of sheer aesthetic originality (anxiety of influence) or economic identity (working class fetish) but of emotional confession or appearance thereof. The boolean fact of politicization, and the polarity of sympathy, matter more than the sophistication of approach.  Continue reading “Flowers in a Pop(ul)ist Paradigm”