Tag: The Killers
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Flowers in a Pop(ul)ist Paradigm
Spilled Reality, “One more on The 1975?”: The 1975 bloomed late in pop critics’ multi-decade questioning of masculine-rockist values like authenticity and edginess. In the new pop(ul)ist paradigm, entertainment value and its near heuristic, melodic propulsion, are strong arguments for aesthetic quality in themselves. Authenticity is redefined, less a matter of sheer aesthetic originality (anxiety…
Suspended Reason 