Above: the opening lines to excerpt. “She was” acts rhythmically as a pick-up or poetic pre-head. Stressed syllables are marked with a caret as is standard in musical notation. Continue reading “Metric Prose in Austen’s Emma”
Above: the opening lines to excerpt. “She was” acts rhythmically as a pick-up or poetic pre-head. Stressed syllables are marked with a caret as is standard in musical notation. Continue reading “Metric Prose in Austen’s Emma”