Ulysses, Wilde, and a Theory of Literary Compression

“He looked at the cattle, blurred in silver heat. Silvered powdered olive trees. Quiet long days: pruning ripening. Olives are packed in jars, eh? I have a few left from Andrews…

A cloud began to cover the sun wholly slowly wholly. Grey. Far. No, not like that. A barren land, bare waste. Vulcanic lake, the dead sea… Brimstone they called it raining down: the cities of the plain.”

Ulysses, 4.200-221

An introduction to this text can be found here.

The mobilization of Ulysses and Earnest is purposefully audacious and inevitably missteps. The overarching tone, and parts of the analysis, I would characterize as understandably wrong.

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Text, Telos, and Ritual

I’ve been set free and I’ve been bound
To the memories of yesterday’s clouds
I’ve been set free and I’ve been bound
And now I’m set free
I’m set free to find a new illusion

— “I’m Set Free,” The Velvet Underground

“As time goes on… the universe becomes more and more what experience has revealed, less and less what imagination has created, and hence, since it was not designed to suit man’s needs, less and less what he would have it be. With increasing knowledge his power to manipulate his physical environment increases, but in gaining the knowledge which enables him to do so he surrenders insensibly the power which in his ignorance he had to mold the universe.”

— Joseph Wood Krutch

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Art As Engineering

A Conversation with Gabriel Duquette and Haley Thurston

Gabriel Duquette is a co-founder of Liposuction (tagline “aesthetics without all the fat”). He started the site with Haley Thurston, who studied art at Yale before contributing to Carcinistion and Ribbonfarm (her more casual art writing can be found at The Sublemon). Both are interested primarily in “retro-engineering” and applying “epistemic hygiene” to matters of taste and aesthetics. They write loosely within the community — and from the intellectual framework — of postrationalism (alongside critics like Sarah Perry and Venkatesh Rao).

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